http://icking-music-archive.org/scores/bach/cello_suites/suites.err 95-12-02 me Suite I Sarabande bar 4, 1st beat, last 1/16th b instead of a 2nd beat, 1/8th a (tr) g instead of 1/4 g Suite II Prelude bar 50, 3rd beat, 2nd 1/16th f instead of f#; # as notice 51, 1st beat, natural removed Allemanda bar 9, 3rd beat, 1/8th a put into parenthesis Courante bar 6, 3rd beat, violin part: upper beam 7, 3rd beat, violin part: upper beam 12, 2nd beat, violin part: upper beam 3rd beat, cello & violin part: upper beam Sarabande bar 4, last three 1/8th, violin part: upper beam 6, last three 1/8th, violin part: upper beam 96-04-20 - 96-05-?? me Suite I-VI change a lot of slurs according to all four manuscripts 96-05-03 me Suite V Gigue meter 3/8, not 12/8 Suite VI Prelude meter 12/8, not 3/4 Sarabande metronomic indication "half = 40", not "quarter = 40" 96-06-16 me Suite V Prelude bar 2, 3rd beat, 1st 1/8th a-natural instead of a-flat 10, 3rd beat, 1st 1/16th a-natural instead of a-flat 26, 3rd beat, quarter a-natural instead of a-flat 96-06-26 me Suite II Prelude bar 59-62, added an alternative for arpeggio ... forgot to note a lot of minor changes; nothing important. 97-02-26 Andreas Kurth and me Suite I, III, IV changed some fingerings; correct placement of some ornaments related to fingered and not-fingered version. Suite III Bouree II bar 10, corrected misplaced slur Suite IV Bouree I bar 40-42, added p and f removed brackets around p and because of sources 2, 3 and 4 97-07-04 Andreas Kurth and me Suite III Sarabande bar 13, removed two flats (misprinted naturals) g and f Revised all accidentals: Suite I Prelude bar 12, removed unneccessary natural f 27, removed unneccessary natural b Allemande bar 8, removed unneccessary natural c 14, removed unneccessary natural c Menuet I bar 21, removed unneccessary natural c Suite II Prelude bar 4, removed unneccessary natural c 24, removed unneccessary natural g 28, removed unneccessary naturals c and e 34, removed unneccessary natural c 54, removed unneccessary natural e Allemande bar 12, removed unneccessary natural f 13, removed unneccessary naturals g and b Courante bar 3, removed unneccessary natural c 7, removed unneccessary natural e 17, removed unneccessary naturals g and b 18, removed unneccessary natural c 20, removed unneccessary natural b Sarabande bar 19, removed unneccessary natural e Menuet I bar 12, removed unneccessary natural c Gigue bar 10, removed unneccessary flat b 13, removed unneccessary natural e 32, removed unneccessary natural c 49, removed unneccessary natural e Suite III Prelude bar 14, removed unneccessary natural f 16, removed unneccessary natural c 18, removed unneccessary naturals f and g 26, removed unneccessary natural d 33, removed unneccessary natural b 41, removed unneccessary natural f 59, removed unneccessary natural e 61, removed unneccessary natural f 63, removed unneccessary natural c 67, removed unneccessary natural f 81, removed unneccessary natural e Allemande bar 15, removed unneccessary naturals f and f 18, removed unneccessary natural g 19, removed unneccessary natural b Courante bar 16, removed unneccessary natural f Sarabande bar 15, removed unneccessary natural b Bouree I bar 18, removed unneccessary natural f Gigue bar 43, removed unneccessary natural f Suite IV Prelude bar 51, removed unneccessary natural c, flat e 59, removed unneccessary flat e 59, added (now) neccessary natural a Allemande bar 20, removed unneccessary flat a 23, added questionable natural a 27, removed unneccessary flat a 33, removed unneccessary natural d Courante bar 31, removed unneccessary flat b 57, removed unneccessary flat a Sarabande bar 13, removed unneccessary flat a 20, removed unneccessary flat b 24, removed unneccessary flat a 31, added (unneccessary) flat a Bourre I bar 19, removed unneccessary flat a Gigue bar 13, removed unneccessary flat a 33, removed unneccessary natural d 36, removed unneccessary natural d 38, removed unneccessary flat e Suite VI Prelude bar 19, removed unneccessary natural g 36, removed unneccessary natural a 39, removed unneccessary natural a 44, removed unneccessary natural e 68, removed unneccessary natural g Allemande bar 15, removed unneccessary natural g 18, removed unneccessary sharp c Courante bar 44, removed unneccessary natural g 55, removed unneccessary natural d Sarabande bar 17, removed unneccessary sharp c 97-07-05 me Suite IV Prelude bar 59, chord d-c-#f-e instead of d-a-#f-e 97-09-20 me Suite I-VI Introduced real dotted slurs; re-vised all slurs for being dotted concerning Anna Magdalena Bach's manuscript 97-09-21 me Suite I Allemanda bar 11, vertically aligned tr 20, vertically aligned tr 98-03-06 Andreas Kurth and me Suite V (Original) Prélude bar 35, 6th 1/16th, e sharp (=natural) instead of e 116, 5th 1/16th, fingering 0 175, 4th 1/16th, e sharp (=natural) instead of e 220, 2nd 1/16th, e sharp (=natural) instead of e Allemanda bar 35, 2nd beat, e sharp (=natural) instead of e 98-04-17 me Suite VI Allemande bar 2, 2nd beat last 1/64th, f was one octave too low 98-04-25 Lev Zhurbin & me Suite V Prelude bar 4, 2nd beat upper voice 1/8th stem up -O bar 85, due corde fingering -S bar 85, 1st 1/16th b instead of a 98-04-25 me Suite VI Gigue bar 43, 44, corrected fingering for vl 98-06-17 Eckardt Begemann and me Suite VI Allemande bars 14, 15, colliding beams in the vc-version corrected. 2000-01-29 Suite III Allemande bar 5, beat 3-4 changed bowing bar 6, beat 3-4 changed fingering Suite VI Allemande bar 2, beat 3 dotted 1/16th followed by 3 1/32ths replaced by 1/16th and 4 1/32ths for va and vl bar 10, beat 1 dto. bar 13, beat 2 dto. bar 5, beat 3 trill bar 6, beat 2 trill bar 11, beat 4 ends with 1/128ths instead of 1/64ths for va and vl